2 September, 2010 THE CRAM
It’s officially official. The Cram has had its first meeting, with lots of sangria and new pages, and now we are a writer’s group. Or an 80s girl rock band. Or the early 90s cast of something important, in which I play a troubled teen.
Ok so really we’re just a writer’s group.
Don’t mess with THE CRAM.
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22 August, 2010 @ 12 PM
59E59 Theater, 59 East 59th St, NYC
Primary Stages/ESPA produced a staged reading of THE GREEN. Read the casting announcement on BroadwayWorld!

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Nick Pauling, Corinne Edgerly, Kina Bermudez, Akeem Baisden-Folkes, and Maduka Steady; photo by Larkin Clark
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9 August, 2010: INTERVIEW
Adam Szymkowicz, playwright / Kevin Bacon of the playwright universe, has interviewed me on his blog:
http://aszym.blogspot.com/2010/08/i-interview-playwrights-part-238-kate.html
Adam has interviewed over 250 playwrights now. That is amazing. Go to his site and be amazed. There are still wonders in this world.
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14 May, 2010
Primary Stages, 307 W. 38th St, NYC
Isabel Keating, Drew Cortese, Sheila Joon, Jimmy Allen, and Akeem Baisden-Folkes read a scene from my newest (as yet untitled) play as part of ESPA Playwriting Festival.
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February, 2009
Gene Frankel Theater, 24 Bond Street, NYC
FLOAT was performed as part of Endtimes Productions’ “Vignettes for the Apocalypse” One-Act Festival.
http://www.endtimesproductions.org
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20, 21, 22 November, 2008
M’S ORPHANAGE was performed at Reed College as Euphrates Dahout’s thesis production.
“A Dance-Theatre Thesis by Alexandra Euphrates Dahout, written by Kate Tarker.
Based on the gruesome tales of Struwwelpeter, the story is about five orphans, forced to pretend that every day is Christmas, hoping that Santa will bring them parents. But for the past several years, they’ve got nothing but coal. They must be bad children… at least that’s what the borderline-evil Miss M brainwashes them to think. The orphanage is a house of torment for these children, and the worst is yet to come. This non-proscenium performance will transform the Student Union into the environment of the characters. Through compelling choreography and performance, the story will unfold and suck you in.”
http://academic.reed.edu/theatre/productions/schedule.html
It looked something like this:
You can see more production photos here:
http://picasaweb.google.com/a.e.dahout/MSOrphanageBest#


